Biden, ‘The Great and Powerful’
For now Joe Biden’s best hope is that some Emerald City media lackey does not play the role of the tiny dog Toto, rip away the curtain, and reveal the tiny man and his machinery behind the projection.
By Victor Davis Hanson • September 13, 2020
Media bias is not new.
In addition to the Russian collusion hoax and the phone-call impeachment farce, who can forget the marquee media toadies of JournoList and the release of John Podesta’s email trove?
Or the moderator Donna Brazile’s primary debate questions, leaked through CNN, or Candy Crowley’s hijacking of a debate as moderator-turned-real-time-hack “fact-checker�
Nothing then is new to the media’s fusion and collusion with the “progressive party.â€
Yet never in American history have mainstream journalists not merely promoted a candidate but actively fused with his political candidacy to the point of warping, fabricating, and Trotskyizing the news and indeed history itself.
The trope of a vast charade to create an illusionary powerful figure out of nothing is an old one in fiction, Hollywood and television. We remember “The Great and Powerful†Wizard of Oz fakery, a formidable screen image created backstage by gears and levers operated by a tiny man “behind the curtain.†Similar is the famous scene in an episode of the old Star Trek series, depicting a near comatose on-air John Gill used as a televised prop by his puppeteers, in a utopian federation project gone haywire.
But reality has outdone art with the Biden campaign. The concoction is holistic, from the mundane construction of a fantasy, on-the-go candidate to the supposed middle-of-the road old Joe Biden from Scranton radiating an aura of kindness and moderation in times of plague, panic, and protest.
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