Opinions are like backsides, everyone has one and they usually stink. That being said, I have a hard time taking a list that considers Stevie Nicks the least qualified inductee seriously when she seemed to be on half the records that were released in the late 1970s and early 1980s. "Gold" by John Stewart featuring Stevie Nicks. "Whenever I Call You 'Friend'" by Kenny Loggins featuring Stevie Nicks. "Leather and Lace" by Don Henley featuring Stevie Nicks. And so on.
What the RRHOF has is an identity crisis. They call it rock and roll, but they include genera completely unrelated to it. (I note that the author lists exactly zero hip hop acts as undeserving.) The author includes several doo-wop groups, which has little to do with rock and roll other than that they both had their genesis in the 1950s. But then again, that's a big problem. Rock and roll, despite artists like Chuck Berry and Ike Turner being some of its earliest practitioners, has been dominated by white men pretty much since Jimi Hendrix died, and to an extent even before that. Anyone in this sort of academia knows full well that there is constant pressure to recognize more women and people of color in anything.
And some of it is perfectly fine. I was thrilled to see Rosetta Tharpe inducted recently. The great blues artists like B.B. King totally deserve to be there. But eventually one has to ask whether the RRHOF is a rock and roll hall of fame or a popular music hall of fame.
Besides, as far as I'm concerned, it's long overdue for the RRHOF to start looking at acts like The Monkees and The Osmond Brothers.