I guess Serpico was more of a documentary than just a movie....
@Cyber Liberty If you don't count the excessive liberties taken with a lot of facts, that
was really a kind of documentary,
based on Robin Maas's biography of Frank Serpico. Serpico and the late David Durk (he passed away in 2012)
exposed the single worst system-wide epidemic of police corruption in New York since the Harry Gross scandal
of 1959. (Gross was a bookmaker who turned out to have almost as many cops on
his payroll as the
city did.) It's quite arguable that the Serpico case among other things may have torpedoed New York mayor
John Lindsay's political ambitions, especially when---during the Knapp Commission hearings Serpico and Durk
helped provoke---Lindsay was asked how it all could have happened, and why he didn't do anything about it
prior to Serpico being shot in the face making a drug bust that may have been a setup to try taking him out,
and all Lindsay could say was, "If you've had as long and as delicate a relationship with the 35,000 member
police department as I have had, you might understand."
Serpico probably received far more recognition than Durk because of that shooting---he was
thatcloseto death. He was also awarded a full detective's shield while he was hospitalised; that had been his ambition
from almost the moment he became a cop, but by that point he was so embittered that, when his inspector
presented it to him, he replied, "Tell them they know where they can shove it." Also, Serpico isn't the only
one who has suggested Durk was more fame conscious than Serpico was; Serpico himself said he thought
Durk had too much politician style in him whereas Serpico was strictly a street cop who knew being a cop
was no glamour game no matter how many fantasies of derring-do Serpico himself had as a young cop.
I think, too, that one reason Serpico was more fascinating to people at the time was because, street cop
though he was, he wasn't the typical plebeian cop---he had tastes for opera (he was raised by an opera-loving
shoemaker) and ballet; he preferred to make friends of the people he lived among instead of other cops; he
had parallel tastes for literature and music. Serpico was very much a kind of renaissance type no matter how
he earned his living. He was also a bachelor who didn't suppress his taste for the ladies, though he didn't
exactly flaunt it, either. Serpico was, in short, a guy with charisma written all over him but modest enough
that he simply lived and let live.