Aleppo: A Catastrophe Defying Poets’ Powers of Description
By Amjad Nasser
A wounded woman, still in shock, leaves Dar El Shifa hospital in Aleppo, on September 20, 2012. (AP Photo/ Manu Brabo, File)
When talking about what is happening in Syria, I face the inability of language to express reality. My vocabulary remains limited. My ability to describe reality, the basic forms of literature and writing, remains limited. Nothing I have written or read could be elevated to the level of one moment of the reality experienced by Syrians in their disastrous country, or in their great Diaspora into which they were unmercifully pushed.
Who could put into words this displacement into the bitter cold of tens of thousands of families who fled from aircraft attacks and bombardments along their grim road as a murmuring river rushes toward a safe refuge? Where does the language and the power of description lie, the passion which could transmit to us the suffering of these masses who leave their homes, human dignity, and family histories to flee toward a refuge, a scene absolutely unthinkable only a few years ago, and was even the equivalence of shame? As authors and poets examine the Syrian tragedy we discover the inability of the language itself, its limitations, not only due to a constrained vocabulary when describing reality; but also due to the scope of the tragedy. This enables us to examine the paralysis of the world when faced with the need to stop an unfolding massacre, as well as the lethargic consciences that populate it, and which now turn away from what is happening, or say: “They deserve it!”
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