Author Topic: ‘Poverty is often looked at in isolation, but it is an American problem’  (Read 667 times)

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Offline ExFreeper

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http://www.youtube.com/watch?v=Ip8XueRsl84

USA. Allensworth, California. 2014. Fence post. Allensworth has a population of 471 and 54% live below the poverty level.


‘Poverty is often looked at in isolation, but it is an American problem’

Guardian - By  Sean O'Hagan, Sunday 29 May 2016

Photographer Matt Black discovered that it was possible to drive from California to the east coast without once losing sight of America’s poor

Last summer Matt Black left the Central Valley of California, where he lives, to travel 18,000 miles across the US on a road trip that took him through 30 states and 70 of the poorest towns in America. The startling image of a hand resting on a fence post against a barren backdrop was taken in the small town of Allensworth, California, where 54% of the population of 471 people live below the poverty level.

“California always seemed special and unique in terms of how it symbolised promise and progress,” says Black, 45, during a break in shooting landscapes in Idaho, where he’s working on another stage of the same series, Geography of Poverty. “So it seemed somehow symbolic to begin there and travel east, but what has surprised me is the similarities I have encountered as I travelled from one community to another. All these diverse communities are connected, not least in their powerlessness. In the mainstream media, poverty is often looked at in isolation, but it is an American problem. It seems to me that it goes unreported because it does not fit the way America sees itself.”

As if to bear this out, Black tells me that the route he took was mapped out in advance using geotagged photographs found online alongside census information to identify the poorest areas. In each instance, the communities he visited were never more than a two-hour drive apart. “I was able to drive from California to the east coast and back without ever leaving these poor areas.”

Black’s striking images are on show in a group exhibition, New Blood, at the Magnum Print Room in London alongside the work of Newsha Tavakoliancorrect and Max Pinckers. Working in high contrast black and white, he produces photographs that are stark and impressionistic. His work is far from the straight documentary that Magnum is famed for and, in places, as in the image of birds on telegraph wires taken in Tulare, California, seems more redolent of the grainy visual poetry of postwar Japanese photographers like Shomei Tomatsu and Masahishi Fukase.

“This is not a polemic and I have no set agenda,” he says of his epic undertaking, possibly the most extensive documentary photography project ever, which he began in 2014. “I’m more interested in the psychology of poverty because poverty is a culture with its own norms, and it requires a different way of looking. I wanted to capture the atmosphere of certain places so I’ve also kept a journal which I will incorporate into the finished work somehow.”

In the process of making Geography of Poverty, Black has won awards and become something of an Instagram phenomenon (he was named Time’s Instagram photographer of the year in 2014), even though he posts relatively infrequently – on average an image every five days. “I’ve kind of broken the mould. I know social media commentary doesn’t have the best rep,” he says, “but I have had the opposite experience – very few negative comments. In fact, the most common response is, ‘When are you coming to my town?’ People see their own communities reflected in these other communities. That, in itself, says a lot about the widespread and depressingly similar nature of American poverty.”

https://www.theguardian.com/artanddesign/2016/may/29/matt-black-photography-poverty-geography-california-us-sean-ohagan#img-2


http://www.youtube.com/watch?v=q8OybGqUNsA

USA. Tulare, California. 2014. Birds. Tulare has a population of 59,278 and 21.4% live below the poverty level.

Matt Black (born 1970, Santa Maria, California) is an American documentary photographer whose work has focused on issues of poverty, migration, and the environment.

Black has received a World Press Photo Award, the Robert F. Kennedy Award for Excellence in Journalism and the W. Eugene Smith Grant. He is a nominee member of Magnum Photos.

Black grew up in the town of Visalia, California, in the state's agricultural Central Valley. While attending high school, he worked as a photographer at the Tulare Advance-Register, later the Visalia Times-Delta, where he learned the black and white photojournalism style he has used throughout his career. He received a B.A. in Latin American History from San Francisco State University in 1995.

In the early 1990s, Black made several trips to Latin America, work that in 1993 gained first prize in the Daily Life category of the World Press Photo Award. His 1996 article, "Homage to an Outlaw", published by West Magazine, marked the beginning of his long form photojournalism focusing on rural life in the Central Valley.

Other major projects in the Central Valley include The Black Okies, for which he was named a finalist for the Pulitzer Prize in 2003 and From Dust to Dust, about indigenous Mexican migrants in California, for which he received the Robert F. Kennedy Award for Excellence in Journalism, Domestic Photography category, in 2007.

In 1999, while working on a story about widespread unemployment in the Central Valley in the aftermath of a citrus freeze, Black met a family from Oaxaca, Mexico, which introduced him to the story of indigenous Mixtec migrants. The following year, he traveled to the Mixteca region of southern Mexico, beginning his project The People of Clouds. Again working in the extended photo-essay form, major stories from this project include The Face of the Mountain, After the Fall and The Monster in the Mountains.

In 2014, he began the project The Geography of Poverty, combining geotagged photographs with census data to map and document poor communities. In the summer of 2015, he completed a thirty-state trip photographing seventy of America’s poorest places.

In addition to still photography, Black has completed several short documentary films, including After the Fall, Harvest of Shadows, California Paradise Burning and The Monster in the Mountains.

In June 2015 he became a nominee member of Magnum Photos.

https://en.wikipedia.org/wiki/Matt_Black_%28photographer%29

USA. El Paso, Texas. 2015. El Paso has a population of 649,121 and 21.5% live below the poverty level.


http://www.youtube.com/watch?v=TME6KbZJi3Y





"A major source of objection to a free economy is precisely that it gives people what they want instead of what a particular group thinks they ought to want. Underlying most arguments against the free market is a lack of belief in freedom itself." - Milton Friedman

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Liberal nonsense. Yes we have poverty in this country, maybe we should try a war on poverty? Oooops.

Maybe we should stop importing the world's poor.

Offline ExFreeper

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Liberal nonsense. Yes we have poverty in this country, maybe we should try a war on poverty? Oooops. Maybe we should stop importing the world's poor.

Quote
“Few people ever have an abundance of choice of occupation. But what matters is that we have some choice, that we are not absolutely tied to a job which has been chosen for us, and that if one position becomes intolerable, or if we set our heart on another, there is always a way for the able, at some sacrifice, to achieve his goal. Nothing makes conditions more unbearable than the knowledge that no effort of ours can change them; and even if we should never have the strength of mind to make the necessary sacrifice, the knowledge that we could escape if we only strove hard enough makes many otherwise intolerable positions bearable.”  ― Friedrich Hayek, The Road to Serfdom

« Last Edit: May 29, 2016, 03:38:40 pm by ExFreeper »
"A major source of objection to a free economy is precisely that it gives people what they want instead of what a particular group thinks they ought to want. Underlying most arguments against the free market is a lack of belief in freedom itself." - Milton Friedman