Journalism on Mescaline: The Don Lemon Problem
The Last WireJournalism used to be about distance, discipline, and documentation. The reporter stood apart so the public could see clearly. What we have now is something else entirely. A performance culture where the camera is no longer a window, but a weapon, a shield, and a prop. Don Lemon is not an outlier in this system. He is a symptom of it.
When journalists step into the story, provoke events, or embed themselves emotionally and physically inside charged situations, they are no longer witnesses. They are participants. That shift matters. It affects legality, credibility, and public trust. It also creates a dangerous feedback loop where chaos becomes content and outrage becomes currency.
This piece examines the collapse of journalistic boundaries, the incentive structures that reward spectacle over restraint, and why the public is right to distrust a press corps that increasingly confuses activism with reporting. This is not about politics. It is about professionalism, ethics, and the cost of turning news into theater.
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