Author Topic: Our Cultural Surrender To Screens Has Bred An Entirely Unserious Generation  (Read 283 times)

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Offline Kamaji

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Our Cultural Surrender To Screens Has Bred An Entirely Unserious Generation

One gauge of our decline is the vanishing of public intellectuals and a swelling number of wired celebrities, influencers, and pitchmen.

BY: MAUREEN MULLARKEY
AUGUST 23, 2023

“We are becoming sillier by the minute.”

Such was Neil Postman’s judgment in 1985. In Amusing Ourselves to Death, he warned against the consequences of the decline of a print-based culture in favor of “a television-based epistemology.” That meant a retreat from the mental effort of traditional literacy in favor of a mind-altering technology. “As culture moves from printing to televising, its ideas of truth move with it.” The truth of things is easily missed in the screen’s succession of images and spectacles with the lifespan of a mayfly.

By now, silly is too mild a word. Cell phones and social media have done more than accelerate the transformation of reading into viewing. They displaced it. The swap stunts culture at its source. The word “influencer” is no longer an ordinary noun; it has become a career goal. To some 26 percent of today’s young people, it eclipses occupational choices that require training and formal qualifications like a college degree. The thrill of online affirmation, measured in followers, crowds out time-honored pride in useful work.

One gauge of American cultural decline is the vanishing tally of public intellectuals beside a swelling number of wired celebrities. Influencers are social media performers, pitchmen for an infinity of purposes from brands to lifestyles. They capitalize on the investment of young audiences in their own self-image as knowing consumers of attitudes and gear trending in their social scene.

By contrast, public intellectuals were reflective writers, editors, and trained and tested scholars who addressed an informed, morally self-aware adult audience. Their essential métier was criticism. From the politics of culture to ethics and economics, they presented principled arguments about rights, responsibilities, and the health of the social order. Such names as Irving Howe, John Kenneth Galbraith, Dwight MacDonald, Lionel Trilling, Mary McCarthy, C. Wright Mills, Reinhold Niebuhr, Daniel Bell, and Hannah Arendt, among others, had an effect on political debates and public affairs. Differences aside, they willed the common good and set the intellectual standards by which historians judge an age.

What will historians make of the American mind when they look at their successors? Heading the list of this year’s Instagram influencers are Kylie Jenner (398 million followers), Taylor Swift (270 million), soccer player Cristiano Ronaldo (601 million), and singer Demi Lovato (157 million). Kourtney, Khloe, and Kim Kardashian boast a combined total of 898 million followers. And that is only Instagram. All influencers post across different platforms: TikTok, Facebook, Twitter (recently rebranded as X), YouTube, and Snapchat.

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Source:  https://thefederalist.com/2023/08/23/the-cultural-succumbing-to-screens-has-bred-an-entirely-unserious-generation/

Offline Maj. Bill Martin

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Great article.

Modern libertarianism still exists largely due to the writings of Ayn Rand, with Atlas Shrugged clocking in at over 1000 pages.  I'd say we're fortunate that she came around when she did, because if she came around now, she'd likely be read by a far smaller percentage of people simply because so few people actually read books anymore.  Including the orange non-reader running for President again.

Because of that, we're plagued by too-short attention spans, shallow thinking, and a population too easily hoodwinked by style and flash over substance.  It's all infotainment (great word) now.
« Last Edit: August 23, 2023, 01:22:53 pm by Maj. Bill Martin »

Offline mountaineer

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Re: Our Cultural Surrender To Screens Has Bred An Entirely Unserious Generation
« Reply #2 on: September 05, 2023, 12:52:26 pm »
Speaking of Taylor Swift and related unseriousness:
Quote
Taylor Swift’s Popularity Is A Sign Of Societal Decline
Audiences and elite tastemakers alike have decided Taylor Swift’s narcissistic lyrics and cliched music are a cultural triumph — but why would we celebrate this?
By Mark Hemingway
September 05, 2023

After Tayor Swift’s massive “Eras” tour is packing stadiums to the point her shows are causing earthquakes (even though bad seats are often going for $1,000 or more), Swift isn’t just resuscitating the post-Covid live music industry, she’s threatening to help rescue America’s flagging theater business.

It was recently announced that she struck a deal with AMC theaters to show a three-hour concert film from her smash tour for the millions of people who couldn’t get tickets. ...

Still, someone who truly, deeply cares about the state of popular music has to stand athwart Taylor Swift, yelling “what is this @#?!,” and it might as well be an intellectually dyspeptic Gen X guy with nothing to lose. ...

What has changed is the overall cultural milieu that produced Swift, compared to popstars of previous generations and how they reflect changing values. Ironically enough, Tom Wolfe coined the phrase “the Me decade” to refer to the 1970s when artists such as Tom Petty rose to stardom. The idea was Americans were starting to move away from having an identity rooted in community and moving toward atomization — and certainly, a big part of that development was the ability for individuals to find meaning in outside local communities and identify with distant pop culture figures whose identity and branding were created by relatively new mass media technologies. ...
Read entire article at The Federalist
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