SOURCE:
NATIONAL REVIEWURL:
http://www.nationalreview.com/node/438016/printby: John Fund
Dinesh D’Souza, the social commentator who shook up Hollywood with the $33 million earned by his Obama 2016 film, is back with
Hillary’s America: The Secret History of the Democratic Party.
The film is his response to constant Democratic attacks on Republicans as racist, greedy, and callous toward minority interests.
Hillary’s America takes a two-by-four to the racist, greedy, and callous episodes in the Democratic party’s past. He then links this history to Hillary Clinton’s progressive values and to her tutelage under radical community organizer Saul Alinsky.
It is over the top in places and definitely selective, but the troubling facts are accurate and extensively documented in the D’Souza book that accompanies the movie. The film is intensely patriotic, and D’Souza told me at the movie’s premiere at the GOP convention in Cleveland that it is a must-see for Americans. He believes Democrats this election year are trying to — in President Obama’s words — “fundamentally transform” America into something the Founding Fathers wouldn’t recognize.
This isn’t just rhetorical overkill. Glenn Thrush reported this week in Politico on Obama’s agenda in the waning days of his presidency:
Obama’s ultimate goal in his final year has been strikingly ambitious, according to those I spoke with: not only blocking from office the birther who questioned his legitimacy as president, but preserving the Democratic Party’s hold over the presidency during an era of anti-establishment turbulence. Obama, always one to embrace a grand goal, talks in terms of creating “a 16-year era of progressive rule” to rival the achievements of Roosevelt-Truman and to reorient the country’s politics as a “Reagan of the left,” as one of his longtime White House advisers put it to me.
In 2014, D’Souza pleaded guilty to campaign-finance violations in a case that may well have involved selective prosecution. He donated $20,000 to a Republican friend from Dartmouth, Wendy Long, who was running a sure-to-lose senatorial campaign against Kirsten Gillibrand in New York, though he never told Long he’d donated the money and he received nothing in return. D’Souza told me that his searing eight-month experience in a federal halfway house led him to draw his own conclusions about the ultimate goal of Hillary and Obama.
The film re-creates what he said he learned in federal “public housing.” He established a rapport with some of the thugs and con artists there and asked them how the gangs to which they belonged consolidated power. A fellow inmate named Rock told him that the con games the gangs practice involve promising people something for nothing, then cheating them while at the same time making them dependent on the gangs for protection. This eerily resembled the way the Democratic machines operated, D’Souza realized. But Democrats also had a broader ideological agenda: “What if the goal of the Democratic party is to steal the most valuable thing this world ever produced?” That would be the republic the Founding Fathers have handed down to us.
The film then shows D’Souza leaving his confinement and researching the history and methods of the Democratic party. In the film’s least convincing re-created scenes, he visits “Democratic Headquarters” and sneaks his way into a basement records room adorned by a portrait of Andrew Jackson, the openly racist president who was the founder of the Democratic party. While rummaging through the secrets of the records room, D’Souza learns that Jackson’s expulsion of the Indians to reservations in the 1830s was opposed by Republican congressman Davy Crockett; that northern Democrats were instrumental to slavery’s survival in the pre–Civil War era; that Democrats after the war voted against civil rights for blacks at the federal level; and that, after losing that fight, they managed to impose Jim Crow laws against blacks in the South.
D’Souza then shifts his research to the office of Carol Swain, a black law professor at Vanderbilt University, who is a scholar of Democratic-party history. Swain is soft-spoken but devastating in her recitation of the facts. “It’s a sordid story,” she told me at the Cleveland premiere of the film. “Democrats have long practiced plantation politics while blocking economic opportunity for minorities.” She tells the story of Ida B. Wells, a brave black journalist who fought lynchings and challenged President Woodrow Wilson in the White House over his racist resegregation of the federal work force. Wilson ignored her entreaties and proceeded to host a White House screening of D. W. Griffith’s infamous film Birth of a Nation.
Hillary’s America also explores Franklin Roosevelt’s decision not to pursue anti-lynching laws and notes that it was Democrats who tried to block the 1964 Civil Rights Act. Congressional Republicans supported it in greater percentages than Democrats did. D’Souza takes on the defense that modern Democrats typically call forth when confronted with their party’s racist roots: They claim that the two parties reversed positions on race, with northern Democrats becoming more progressive and southern Democrats simply becoming Republicans. Onetime segregationist Strom Thurmond did switch parties, D’Souza concedes, but he notes the fact that fewer than 1 percent of Southern Democrats who opposed civil rights followed Thurmond in joining the GOP. The rest remained Democrats until they exited politics.
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